Lyrics & Delivery: 2.5/5.0
Production: 3.4/5.0
Overall Score: 2.9/5.0
Review by MrReesh - Pioneer of the revolutionary thermal powered ice - @MrReesh
As I sit here on the bus pondering whether this attractive lady in
front of me has issues or whether she simply forgot to shower, my
mind drifts to the concept of potential, more specifically squandered
potential. See she would standardly receive a swift testimony on the
benefits of giving me her number, but she squandered that potential
on smelling... offensive. It's frustrating, and that in an odd
smelling nutshell is exactly what I think of Richard Rich's mixtape,
Hallways.
See you can hear the
unrefined talent in Richard Rich; he's not a bad rapper, it's just
for the most part he tends to make some poor choices. For example he
comes up with the interesting concept of hallways representing the
different hallways life takes you down, but what do you get when you
listen to the titular track Hallways? An empty three minutes which
borders on disjointed rambling with an ending so awkward sometimes I
fake a phone call just to get out of listening to it. But then, when
you listen to Brooklyn, a chilled nostalgic head-bopper, which flows
into a similarly chilled and nostalgic second half you're like “Oh
my (relevant religious figure), there's hope yet!”. It's this
constant up and down that lets you know Rich has something, but
neither you nor him knows exactly what that is.
|
Google search result when I searched what Richard
was talking about |
One of the main
negatives I have about Hallways is that sometimes you don't know what
the hell Richard is talking about either because you can't actually
understand him, or because you just don't care. For example in
Wear
My Hat, he goes into a long verse thing where he mentions
strawberries, but despite him mentioning one of the world's most
delicious non-tropical fruits, you just don't care. It's a similar
feeling to when your mum tells you something like “Son, your hair
is on fire” and “you're just like “YEAH MUM, I'LL PUT IT OUT
LATER OKAY, GOSH.” Additionally Richard's needless use of off
singing and missed rhymes can get distracting, as seen in several
songs including the totally avoidable
Wear My Hat or
Glorious. There
are times when it works however, as seen in the highly decent
Queens,
but the times where he uses it badly stand out more as they're more
frequent and more severe.
One of Richard Rich's
best points however is his ability to create genuine music.
Take Brooklyn or Staying/Leaving for example, where Rich is relaxed,
comfortable, not forcing anything and simply allowing the words to
cascade from brain to pen. Brilliant. Now I'm not saying the
rest of the mixtape is a pale-faced lie, but these songs feel
especially truthful, with a similar performance coming from Queens
and Philadelphia. It's just a shame that you have to go
through the whole roller-coaster of goodness in order to get to them.
|
THE STAFF OF MEDIOCRITY |
Overall Hallways is
average, but
very-nearly-if-you-stretch-your-ears good, it
just frustrates me that he comes up with this Hallways concept, but
then goes
nowhere with
it. Sure I suppose each song could be a seen as a different
hallway of life but there's nothing to bring it all together, so it
just feels like a bunch of different papers in a folder marked
Hallways, rather than something you can look to and think “yup,
this is Hallways”. And for those reasons I must sadly smite it to
the land of lowly averagedom, with the staff of mediocrity.
My Top 3:
1) Brooklyn
2) Staying/Leaving
3) Queens
Listen below, but don't listen to
We In Here.
Trust me.